PORTRAYAL OF WOMEN IN THE NOVELS AND SHORTSTORIES OF BHARATI MUKHERJEE AND EDITED POEMS OF HARPRASAD SHARMA BY DR

PORTRAYAL OF WOMEN IN THE NOVELS AND SHORTSTORIES OF BHARATI MUKHERJEE AND EDITED POEMS OF HARPRASAD SHARMA BY DR. RAM SHARMA Taking into account the plexity of life,different histories culture and different structures of values, the woman question despite basic solidarity, needs to be tackled in relation to the sociocultural situation. The novels of Bharati Mukherjee are self actualising. Quest for the definition of self and search for identity are the main features of her women who are seen caught in the flux of tradition and tradition and modernity. Neither can they pletely detach themselves from their part, nor do they have any certitude in the future. Bharati Mukherjee has interceded reworked the study of feminism in her writings. Central to her vision in The Holder Of The World, Wife and jasmine are issues related to women. Feminism in her works has something of What Caroll Smith Rosen Berg 1979 argues is he emotional segregation of women and man, which brought about, led to the development of a specifically female world137? The network of female world es to us not only in Mukherjee novels but also in her collections of Short Stories. She advocates many faces of feminism enpassing agitation for equal opportunity, sexual antonomy and right of self determination. Justification Mukherjee fiction convinces us that gender is a multifaceted category open to change and variation, and reinforces, what Anna Lowenhaupt Tsing had suggestedthat particular forms of female marginality must be examined in relation to the conditions of women livesas immigrants, minorities, wealthy, poor, black, white, sex workers, maids, or academics quoted by Rayaprol 135. Mukherjee depiction of women and their different relationships portrays the dominance of patriarchal practices in traditional society, as well as the forms of liberation and empowerment which are available to women in their diasporic situation. Mukherjee female characters are real, modern lifelike. They are typical representatives of young woman particularly of The Third World countries who cherish the dream of emigrating to America for higher education and higher wages, and then after arrival there, aspire to settle there permanently. Their situations and the difficulties they face are also realistically portrayed. In nearly, all stories there is a fixed pattern. In the first part of each story, the focus is on narrating the situation of an immigrant who is in the process of immigration or settling down and in the second part who is in the process of immigration or settling down and in the second part the protagoinst is invariably given to making love with a partner of the opposite sex who is rooted in the American soil. Contents 1. Chapter I Introduction 2. Chapter II Portrayal of Women IN he Tiger Daughter? 3. Chapter III Portrayal of Women IN ife? 4. Chapter IV Portrayal of Women IN asmine? 5. Chapter V Portrayal of Women IN he Holder Of The World? 6. Chapter VI Portrayal of Women IN eave It To Me? 7. Chapter VII Portrayal of Women IN esirable Daughters? 8. Chapter VIII Portrayal of Women IN ree Bride? 9. Chapter IX Portrayal of Women IN he Short Stories? 10. Conclusion 11. Bibliography i Primary Sources ii Critical Studies On Bharati Mukherjee Chapter I Introduction Bharati Mukerjee is a significant woman novelist. She was born on 27th July 1940, in a Bengali Brahmin family of Calcutta. Her father’s name was Sudhir Lal Mukherjee. He was a pharmaceutical chemist. Her mother, Bina Mukherjee was a housewife. Mukherjee spent her first eight years as a member with her parents and two sisters in a joint family . She lived with her parents and two sisters in London for about three years. in 1951 the family returned to Calcutta and she joined the English speaking Loreto, convent school, run by Irish nuns. Mukherjee and her sisters were chauffeured to the convent school quite, Characteristic of this clash of Bengalis, the family “westernized” in the sense that English education was valued. In 1958, Mukherjee’s father lost her partnership in the factory and moved him family to Baroda. Bharati Mukherjee pleted her B.A. Honours English at university of Calcutta in 1959. She took her M.A. degree in English from the university of Baroda in 1961.She went to the University of obtained an MFA in creative writing in 1963 and a Ph.D. in English in 1969. In the University of Iowa Mukherjee met Clark Blaise, a Canadians fellow student at the university of Iowa. She married him in 1963. She lived in Canada from 1966 to 1980. She got Canadian citizenship and lived in Toronto and then in Montreal. She held teaching portions at MC Gill university and Concordia university. She migrated to the U.S.A. in 1980 with her family and bee a U.S.A citizen in 1988. She was awarded the “Prestigious Shastri Indo Canadian Institute Grant” during the year 197677. She was a recipient of “Guggenhein Foundation Award” in 197879 and “Canadian Government Award in 1982.” She also won the first prize from “Periodical Distribution Association in 1980″ for her short story “Isolated Incidents”. Mukherjee has also been honoured with the “National Book Critics Circle Award” for her short stories collection. “The Middleman and Other Stories in 1989″. Her other works are. Her creative five novels are “The Tiger’s Daughter 1972, Wife 1975, Jasmine 1989, The Holder of the world 1993 , Leave It to me 1997, Desirable Daughters 2002 and The tree Bride 2004 and two collections of short stories “Darkness 1985″ and ” The Middleman and Other Stories 1988″. Her husband, Clark Blaise, helps her in her fiction. He is an American Canadian author. He teaches also in the English department of Columbia university.She has coauthored with her husband two nonfictional works first is ” Days and Night in Calcutta” in 1977, and second is ” The Sorrow and the Terror” ChapterII Portrayal Of Women In he Tiger Daughter? The Tiger Daughter reflects the confrontation between illusion and reality. Tara, the protagoinst was packed off by her father at early age of fifteen at America, because he was prompted by suspicion and pain for his country. Tara is homesick in Poughkeepsie. Little things pained her. She sensed discriminaton if her room mate did not share her mango chutney. She defended her family and her country vehemently. She prayed to kali for strength, so that she would not break down, before the Americans. It was fate that she fell in love with an American. This novel begins with a reference to fate and astrology. It seems a device adopted by the writer around which she can weave her plots. Tara husband David was painfully Western, she was dutifully devious in her marriage. She could not municate the finer nuances of her family background and life in Calcutta. Her husband asked nave questions about Indian Customs and Traditions. She felt pletely insecure in an alien atmosphere. adisson Square was unbearable and her husband was after all a foreigner.? After a gap of seven years Tara planned a trip to India, for years she had dreamed of this return. She believed that all hesitations and all shadowy fears of the time abroad would be erased quite magically if she could return home to Calcutta. With the precision of a newspaper reporter, Bharati Mukherjee leads her heroine through a series of adventures and disadventures to a final selfrealisation and reconciliation. Tara homesick eyes noticed may changes in the city of Calcutta. She was outraged, and could not respond to these changes. She longed for the Bengal Of Satyajit Rao , children running through cool green spaces, aristocrats despairing in music rooms of empty places. What confronted her was a restive city which forced weak men to fanatical defiance or dishonesty. The writer interlinks the eventslike Tara visit to funeral pyre at the river bank, her meeting with a small beggar girl affected with leprosy, the vision of beggar children eating off the street, the superficialities in the lives of her friends, the riots and demonstrations and her claustrophobic rape by the politician Tuntunwala to bring out the trauma of Tara visit to India. Tara visit to Darjelling is also marred by ugly and violent incidents. Many of Tara doubts and conflicts are resolved by the strength, determination and quite dignity of her parents. AntoniaWhitehead, an American lends Tara a fresher and clearer perspective about her country. Tara realized that her earlier responses to Calcutta had also been similarly impatient, menacing and equally innocent. The visit to the ashram of Mata Kananbala Devi makes her share of love for her mother as well as the worshippers.The Indian dream is shattered but the writer leads the heroine to a final reconciliation. At the end of the novel, Tara is involved in a violent demonstration, in which Joyob Roy Chaudhary, a symbol of the old world is brutally beaten to death. Pronob the youth tries to save him, but is himself injured in the process. This was a course of history, which could not be stopped. he felt she had made peace with the city, nothing more was demanded.? ChapterIII Portrayal Of Women In ife? Wife is a story of Dimple Das Gupta, a product of Calcutta middle class that values docility and submissiveness in women. From the very beginning we feel that the Dimple is not like a normal girl, she thinks that marriage is a blessing in disguise. It will bring her freedom, fortune and happiness. At last her father Mr. DasGupta married her daughter with Amit Basu. Basu house is not attractive, so she does not feel easy there. She doesn likes Amit mother and sister also. Her motherinlaw dislikes her name imple?and wants to call her andini? Dimple Basu has always lived in a fantastic world, a world which is created by herself. But when she confronts the hard realities of life the feathers of her imagination are clipped. Amit was not the man Dimple has imagined for her husband. With the passing of time the excitement of marriage diminishes and she bees pregnant, She feels a strange sensation. Pregnancy is a boon for Indian women, but Dimple is singular in that he thought of ways to get rid of ? So she decides to terminate her pregnancy, Only Dimple who can do herself abortion, She never repents her cruel deeds. Inamdar rightly says imple is a psychic study of an abnormal woman? Dimple wants to do away with the tradition taboos of a wife and she bees on escapist, lost in her requestered world of fantasy. The killng of a mouse to her is a symbolic suicide of herself. In New York her circumscribed self finds expressions for her frustration in a chilling effect of self assertion the act being the cold blooded murder of her husband. The name Dimple is quite scintillating and enticing but lexico graphically it means any slight surface depression. This depression on the surface is again symbolic of the depression within her psyche, which is borne out of her irritable responses to the things around her. Bharati Mukherjee present the world of Dimple. A world of day dreams and nightmares and her morbid psyche through a series of grotesqe images. Dimple morbidity is evident while she is still at her parental home in the way she allows her conscious mind to be pletely dominated by the colourful romance projected in the advertisements and the stories of magzines. Including herself in sexual fantasies with Cricket Stars, Young Cabinet Ministers and Heroes from novels, Dimple sets out on a long journey of unreal meaningless and morbid existence. Dimple in wife, is symbolized the predicament of a voice without articulation and without a vision. They are visionless because they are voiceless ; they are rootless because they are shootless. Uniquely Indian are superficially westernized, she is basically human. They give vent to their feminine sensibility in their frantic desire for an authentic munication with the self as well as the society. ChapterIV Portrayal Of Women In Jasmine Jasmine can be read as a feminist novel where the protagonist rebels not only against ageold superstitions and traditions, but also effects a proper balance between tradition and modernity. The novel is a celebration of the strength of a woman, not her weakness. In a language of emotion and meticulous metaphor using images provided by the woman protagonist the novelist has articulated the many sided pathos and rebellion of contemporary Indian Woman, not only in India but also in New World. In Jasmine a woman es to terms with her own self. As Sumita Roy points out asmine search for selfrecognition takes her in social and spiritual direction?till she arrives at a time when she can view the future reedy with wants and reekless from hope? From the very beginning Bharati Mukherjee has delineated the Jyoti of Hasanpur who later on bees Jasmine, and Jase and Jane as a rebel against blind beliefs and superstitions. Early in the novel Jyoti tries to raise herself above such blind belief in fate which is adumbrated by the astrologer thus ate is Fate? While scavenging firewood Jyoti gets a star shaped wound on her forhead. That scar bees her third eye and through an archetypal image Shiva Third Eye Mukherjee shows that already Jyoti was peering out into invisible words Now I am a sage? The third eye gives her a wide and true perspective on life. She learns to look back to the past not like a coward bunkering herself inside nostalgia, sheathing her heart in a bulletproof vest. For her, even memories are a sign of disloyality. Similarly with her third eye she learns to look into the future with pain and hope and when she embarkes into her final journey in America she is reedy?with wants and reekless with hopes. It is as if like Shiva she was swallowed the cosmos whole. Bharati Mukherjee also shows her woman protagonist repudiating centuries ?old ugly Indian tradition of checking the boys horoscope.The second archetypal image that Bharati Mukherjee uses to bring out the protagonist feminist trait is that of Kali, the Goddess of Destruction. But since in Hindu mythology Kali is an incarnation of Durga, the Godess of Strength shakti, the image here is more relevant to the strength of a woman like Jasmine who has embarked on a perilous journey to a new world of fulfill her husband dream. After her husband death in order to reach USA she stows in a boat captained by halfface. But after landing in America when halfface demands his price nothing less than the satisfaction of his lurtful passions will do Jasmine in a truly feminist gesture decides to kill the Devil Incarnate and Bharati Mukherjee brilliantly fuses two archetypal image to enact the killing of Kali The Godess of Destruction and strength and the broken pitcher. This new identity in reality expresses another aspect of the eminist?in the Indian fiction in English for the true feminist, in my eyes, is the one who has achieved a proper balance between tradition and modernity. In the beginning in America Jasmine lodges with Prakash ProfessorjiMr. Vadhera. But she feel unfortable in Professorji house which they have converted into a Punjab ghetto. She wants to get away from the claustrophobic traditional ndianness?and Bharati Mukherjee brings out this contrast between tradition and modernity through the contrast between Professorji wife Nirmala and the protagonist Jasmine. Nirmala only takes, Jasmine both takes and gives. That is why she can escape the Indian ghetto in flushing and adopt herself to the patterns of dominant. American culture modernity but that does not mean she throws to the wind her race, her religion , her beliefs tradition. A true feminist Jasmine, does not hold fast to nostalgia that is dead but maintains certain basic traits of Indian Culture even after imbibing American Culture. Thus even after Jasmine has bee Dulf day Mummy, a caregiver not a servant, mind you in the Taylor household her traditional roots break through again and again. With infinite care Bharati Mukherjee her protagoinst gradual transformation but some times there is a conflict between Jasmine two selves, one still holding fast to traditional Indian Values of life and the other an adventure in a Capitalistic Culture. But as an apotheosis of true Feminist spirit Jasmine does not hold fast to a ead nostalgia?and as she tells Taylor about her past, it gets exorcised. She falls hopelessly in love with Taylor but the past es back to destroy her present when she sees Sukhi, her husband murderer in the park and she decides to leave Claremont For Iowa. And here in Iowa Budd Ripplemeyer falls in love with her and she gets a new identity Jane Ripplemeyer . Budd courts her because for him she is the very embodiment of Eastern mystery. udd courts me because I am alien, I am darkness, mystery inscrutability.? Bharati Mukherjee passes the final judgement through her mouthpiece, Jasmine, we are once won over by her scintillating prose, her cadenced rhythm and above all her powerful feminist convictions. am caught between the promise of America and old world dutifulness.? ChapterV Portrayal Of Women In he Holder Of The World? he Holder Of The World?is a feminist novel. But as far as handling of feminist point of debate is concerned a parallel can be drawn between he Journey Of Ithaca?and he Holder Of The World? he Holder Of The World?is a story of Hannah Easton a abandoned child came to India in the seventeenth century and imbided herself in its culture. Hannah Easton arrives in India from Puritan Massachusetts and ranslates herself?into the Salem Bibi, the mistress of Raja Jadav Singh. The novel also gyrates around the tale of the Emperor Tear, the diamond which Aurangzeb hung in his war tent and which Hannah steals. But history loses the diamond. In the midtwenteith century Beigh Marters and her boyfriend Venn Iyer of MIT strives to create the greatest ata plasma?in the world. They ste to unearth something useful from layers of history, life and times of the Salem Bibi and the Emperor Tear. Beigh Masters visit the Maritime Museum in Massachussets to lock into the dusty debris of Mughal Miniature Paintings?goes to auction houses and several historical records and memories. The transmigration of Salem Bibi soul through time and space bees an allegory of Beifg Master personal discovery.Flavour of istorical feminism?is insinuated here and there through the incidents of Hannah life. Her mother Rebecca leaves an ineradicable imprint on young Hannah mind which she disappears with a Nipmuche ultimate unnatural crime of Puritan Life?She Hannah witnessed the fall, not Adam fall Rebecca fall. Hannah carries claustrophobic memories of the event through out her life. She too later profligates the concept of a proper English lady to bee the bibi of Jadhav Singh, who is fighting the Mughals. She was brought up in an orthodox setup of fitch household, gained all the conventional wisdom and housekeeping, developed an obsessive love of needle work. Hannah neither forgets nor forgives her mother crime of elopement. She never shares her emotional tumult with anyone. In the Puritan family circle of fitch she could never imagine to talk to her mother. Her husband Gabriel Legge is a colourful raconteur, the swaggering seafarer, he never had time or sensibility to listen to Hannah. He is employed as a factor of the East India pany. Hannah fate brings her to India, her marriage with Gabriel emulates her mother behaviour. She finds a good friend in Bhagmati, her Indian ayah, who brings to her the glimmerings of understanding of an aged civilization. She narrates fragments from he Ramayana? She is attracted to the events of Sita life because she proves her purity to her husband and to her society in a trial by fire. The God Of Fire, Agni, embraces her and expels her unscorched. An interesting parallel is that Hannah life was also a trial by fire , but unlike Sita she never withstands Agnipariksha for the sake of her husband. Gabriel wanted Hannah to triumph over her Puritan sensibilities and she obliged him, because she loved things of life. Legge joins a group of pirates and during one of his misadventures with Haj pilgrims he is separated from his wife. Hanna escapes with Bhagmati to Panpur under the protection of Raja Jadav Singh of Devgad. Bhagmati and Hannah bee the guests of Raja. She steps into a new world of Hinduism. She and Jadav Singh wooed each other. The Nawab Haider Beg despatches his most ruthless mander , Morad farah, to cage Raja, Jadav Singh unsurp the diamond, Emperor tear and bring Hannah, the firangi lady. Jadav Singh with no option, bundled Hannah and Bhagmati into a palanquin and a disguised Raja into another. On their way to Nawab the Raja attacked the Mughal army. Hannah eventually kills Morad saves Jadav life and brings him back to Panpur. She decides to offer her life to end the war, goes to transact with the Emperor but is taken hostage by him. Whenever, Aurangzeb es to see her, she is reminded of Ravana the demon king of Lanka in Muslim disguise. Though she fails in her mission for armistice between the Raja and the Emperor, somehow, she purloins the diamond the Emperor Tear. She hands over the diamond to Bhagmati. The diamond is ultimately found by Beigh Masters in a cyberspatial finale. Bhagmati thrusts the world most famous diamond into her dying womb. It is in her grave that they find the holder of the world of the seventeenth century. Bharati Mukherjee sees herself as a unique human being and gives message to her fellow female. In he Holder Of The World? she suggests two advantages of Women Liberation. Hannah and Bhagmati in he Holder Of The World?recurrently defy estrangement in the society they live and get the answer in rejecting cultural stereotypes they develop the life of their own outside the home. The Salem Bibi provocates Masters Beigh to unreveal the mystery which surrounded her life and the diamond. Mukherjee devotes her attention to female issues in the historical times as well as in the contemporary society. Mukherjee and Master Beigh involve deeply in the Salem Bibi in making sense from the historical evidences because conventional answers no longer satisfy. They feel social and cultural change in a recursive process and women have to play steering role. Chapter VI Portayal Of Women In eave It To Me? The protagonist is a Eurasian Orphan, Debbie Devi who is adopted by an upstate New York family of Italian Origin. Born in India and raised as an adopted child, Devi Dee travels through America to find her biomom. By the time she has arrived in San Francisco and taken a band of aging exhippies and a psychotic Vietnam Vet, her identity crisis looms large. It leads her to track down her bioparents in Laxmipur, Devigaon, India, and the orphanage where she raisedthe Gray Sistersoeuss Grises?Sore Greasein Mount Abu. She learns from Fred, her hired detective, that her mother was the Hippie follower of a sexage guru, and her father the founder of the ashram, serial killer Romeo Hawk Haque. The offspring of this unlikely liaison, Devi Deepresumed missing or dead is saved by nuns and shipped abroad to America, where she is raised as the adopted child of the Di Martino family. Twenty three years later having graduated from Sunny, Albany, she sets out to seek her biomom in offbeat California. This novel makes the predicament of the protagonist crystalclear, Mukherjee deals with the reality of imeTravel? In eave It To Me?Mukherjee reverts to her earlier obsession with an exile agony. ChapterVII Portrayal Of Women In esirable Daughters? esirable Daughters?follow the diverging paths taken by three Calcuttaborn sisters as they e of age in a changing world. Tara, Padma and Parvati were born into a wealthy Brahmin family presided over by their dothing father and their traditionalist mother. Intelligent and artistic, the girls are nevertheless constrained by a society with little regard for women. Their subsequent rebellion will lead them in different directions to different continents and through different circumstances that strain yet ultimately strengthen their relationship. Bharati mukherjee has written a remarkable novel that is both the portrait of a traditional Indian Brahmin family and a contemporary American story of a woman who is in many ways broken with tradition but still remains tied to her native country. This is about three Bengali sisters who grew up in Calcutta and eventually end up in three different corners of the globe leading three different lifestyles. One lives a fortable life in a posh residential locality in Mumbai keeping herself busy in household chores. Another of the sister ends up New Jersey among the elite class of migrant Indians. The third ends up in the West in California Leading a more pedestrian life after getting a divorce from her business tycoon husband. It an interesting tale about how life puts us in different circumstances we hardly imagined ourselves in and how each of us overes the challenges that life poses us. esirable Daughters?is a melting pot of styles. It a middlebrove women novel think an Indian Hannah and her sisters ; a postcolonial tale life with meditations on belonging and exile, and a thriller, plete with a mysterious stranger and quirky cop. Throw in a touch of Hindu style magic realism and stir. Tara Chatterjee, the afformentioned narrator, is the youngest of three sisters from the wealthy Calcutta family trapped between the old world and the new. At nineteen she was married off to Bish Chatterjee, who became a Silicon Valley Billionare. Now pushing 40, tara is a divorcee living in San Francisco with her teenage son and her boyfriend, a Buddhist earthquakeproofer whose truck advertises him as the en Master of Retro Fit? Although she left Calcutta decades ago, Tara radar is always on alert, encoding names, manners, and accents whenever she encounters strangers of Indian descent. This ethnic antenna es in hardy when young man named Chris Dey surfaces, claiming to be the illegitimate son of her eldest sister, Padma. Tara senses there is something fishy about him and call her riblings, hoping to clear up the mystery. These searching conversations with Padma a multicultural performance artist in New Jersey and Parvati who lives in Bombay and, worries incessantly about crime provide some of the funniest, most astute scenes in the novel. Mukherjee has perfect emotional pitch, nailing the conflicted, sometimes vicious dynamics among sisters. Tara initially describes her family as close ; in reality, she and her sisters routinely whitewash their sadness. he rules of our transcontinental relationships are instituted, never acknowledged.?Tara admits at one point, ?We accept that given the international phone rates, our personal defeats are too banal to waste money on.?When she tries to pump them for information on the mysterious Chris Day, they scold her for tainting their cloistered, halcyon childhood with scandal. After some sleuthing on Tara part, she discovers that her father, a religious Brahmin, forbade Padma from marrying her Christian boyfriend, Ronald Dey, she also learns that the man who claims to be Chris Dey may be an importer linked to an Indian gangster syndicate who is targeting Bish Chattrejee tech empire. This thriller plotline isn entirely convicing because Mukherjee doesn take it seriously, mainly using Chris Dey as a device for transporting the specters of the past into the present. She traces a fuzzy line back several generation. o the decision of Ronald grandfather to convert to protestantism and gain favour from the British and lose status with the Hindus.? Or may be even farther back to Tara own great grandfather, an educated Bengali who turned his back on colonial society and bee a bornagain Hindu, setting her family on the path of orthodoxy and repression. From a respected writer of fiction es a stirring novel of three Calcutta born women, two continents, and a perilous journey from the old world to the new. Mukherjee weaves together stories of the sister ancestors, their childhood memories, and dramastic scenes from India History. ChapterVIII Portrayal Of Women In ree Bride? The ree Bride?takes up from her last novel, Desirable Daughters, ended. It a second in a trilogy. The protagonist, Tara Chatterjee, is a savvy, cosmopolitian worldtraveller very taken with her priveledged life as a Silicon Valley magnate. But when her home is firebombed just as she may be reconciling with her ex, she begins to yearn for home and tradition. A trip back to India rekindles a desire to find her family ancestral roots and place in the history of preindependent India. The novel begins on this note with the most American of all searches the desire to trace one ancestry. Tara is fascinated by an ancestor her almost namesake, Tara Lata, a five year old girl who was a victim of the archaic custom of child marriageatradition even her father, a university graduate and lawyer, willingly follows. It is 1879, and Tara Lata wedding party is traveling through a dark jungle to rendezvous with the bridegroom family, who instead of greeting them hurls curses at the bride, calling her unlucky because the boy bridegroom had been bitten fatally by a snake. To save her from a life of a degradation, widowhood, and shame, Tara Lata father arries?her to the God of the forest, and she bees the legendary Tree Bride. The young girl retreats to her father house and makes it a refugee for the poor, the sick, and finally the fighters for Indian Independence. She is dragged from her home in 1944 by colonial authorities, who announce her death six days later. Mukherjee does not have an aunt like Tara in the family, but she says that hree were many Tara Lata married to trees, so that they could have a life on earth, a place in society where they would not be considered outcasts, and a place in Heaven. The ancient Hindus believed that widows are unlucky and would descend to hell.?With ayoung woman trying to find herself and how she fit into her place in the universe, the story traces the British Colonial rule in India, its contributions and its ultimate downfall. While she is struggling with the thought of getting back with her exhusband and being pregnant with her child, Tara tries to understand her heritage and the actions of her ancestors which may and may not have contributed to the sum total of the person she has evolved into. Every action in the universe has an equal and opposite reaction, nothing in the universe ever gets lost ; everything is connected. The ree Bride?is a one person narrative of British history in India. A great deal of detail has gone into recreating the British men who left their homeland to fulfill what they believed was a higher purpose of instilling order and discipline in foreign lands. Mukherjee with her insightful understanding of women nature deep psychological analysis never really succeeds in bringing the deeds British men to life. But she does shine with her evocation of the city of her birth, the Brahmin society snobbery and in capturing the intricacies of Tara and her namesake he Tree Bride? ChapterIX Portrayal Of Women In he Short Stories Of Bharati Mukherjee? Bharati Mukherjee has written two collections of short stories namely arkness 1985?and he Middleman and Other Stories? 1989. Mukherjee Darkness consists of twelve short stories, and he Middleman and Other Stories?prises eleven short stories very varied in theme and technique. In many short stories of Bharati Mukherjee the protogoinst are woman who are married or divorced and have an inclination to from relationships which terminate in several misadventure. These female characters can be called the liberated women. They pick and mix with men so freely and satisfy their lust for sensuality and then instead of stopping their move on to form new arrangements. The traditional view of seeing these loverelationships terminating in marital unions or well established loveaffairs is nowhere distinctly conceived. On the contrary, their disorderly conduct and promiscuity raise doubts about their notions and dream of immigration and settlement in the United State. But one would certainly be moved by the pathetic situation of kids born of unstabilized marriages or marriages breaking up too soon making the kids grow into freaks and emotionally unbalanced individuals. From the traditional way of thinking of nonAmerican societies, the new world life embraced by the immigrants may appear to be seriously deficient in a moral system. To be pletely liberated in matters of sex may create more problems than it may solve. The family life in America may appear to be so very unsecure and unstable. Bharati Mukherjee concern with the processes of effecting transformations of the protagoinsts and other immigrants into American citizens. Each one of the stories in one way or another turns on the theme of fulfillment which is brought about almost mechanically without first developing an appropriate emotional or sentimental matrix out of which the desire for a matrimonial or loverelationship might genuinely result. Panna, the protagoinst of The Wife Story has walked out of the traditional Hindu Marriage, left Ahemdabad for Menhattan where she experiences freedom and individuality. She learns a great deal from the way charity chin lurid love life has eplaced inherited notions of marital duty.? he Middleman? the title story is about the dangerous career and fortunate survival of the half caste Maria narrated from the point of an Iraqi observer participant. Mukherjee next story he Tenant?is more successful and artistically finished than some of the earlier ones discussed here, Maya Sanyal, a Ph. D. in parative Literature teaches World Literature at the University Of Northern Iowa. For Maya, o folly is ever lost? For , History is a net, the kind of safety net traveling trapeze artists fall into, when inattentive or clumsy. Mukherjee Jasmine destined to be developed into a novel a later date, It begins to be a matter of fact way. Jasmine came to Detroit from Port Of Spain, Trinidad, by way of Canada. Angella is the short story in Mukherjee Darkness , the short story collection. Angella, the protogoinst tells us the sad story of an immigrant from Bangladesh who can only dream of love, domesticity, babies and all the forts that a doctor wife can possibly enjoy in the new world. Mukherjee second short story in this volume he Lady From Lucknow?is ironical in theme and technique. Beginning the story with a surrealistic picturing of a broken heart from the point of view of a small and possibly shocked girl of four. Mukherjee develops the theme of passionate love into a major cultural paradex as a Muslim protogoinst matures into a young and voluptus woman married to an engineer manager name Iqbal Iry. he World according to her.?Mukherjee next story the protogoinst Ratna herself the offspring of an international marriage in 1936 she had a Czechoslovak mother and a Bengali father, is married to a liberal white Canadian, probably a WASP. The next story entitled he Father?deals with a tricky situation in which the cultural and enthic encounter is not between individuals but attitudes acquired as well as preserved ; between reason and superstition. The Indian immigrantsthe Bhowmicks are sufficiently acclutured but not fully assimilated. The parents are horried to knowthat their brilliant plain daughter, Babil, an Electrical Engineer wants to have a baby by artificial insemination outside Wedlock. When confronted by the antasising?father and the shocked mother, the pregnant Babil replies ; ho needs a man? She hissed. The father of my baby is a bottle and syringe. Men louse up your lives. I just want a baby.? rbiting is a story of great significance. When brent listens to Ro experiences in his home country Afghanistan , he is for the first time exposed to Third World Passion. Ro beloved Rindy es to know for the first time that words like Kandhar and Pamir are not Polish words but important names associated with Afghanistan. Conclusion Mukherjee female characters are real, modern lifelike. They are typical representatives of young woman particularly of The Third World countries who cherish the dream of emigrating to America for higher education and higher wages, and then after arrival there, aspire to settle there permanently. Their situations and the difficulties they face are also realistically portrayed. In nearly, all stories there is a fixed pattern. In the first part of each story, the focus is on narrating the situation of an immigrant who is in the process of immigration or settling down and in the second part the protagoinst is invariably given to making love with a partner of the opposite sex who is rooted in the American soil. There is little or no consideration that the sexual adventure of the female protagoinst with the male member of may amount to adultery or cause serious protest from the housewife. In fast, while such adulterous transactions are carried on freely and even promiscuously, the housewives take them as normal behaviour. The moral norms do not exist at all, or that sexual ptomiscuity is a socially recognized fact. The world then appears so ordained as to give, both man and woman equal dignity and equal freedom. It would then appear to be a world in which neither of them is seriously restrained or bound by obligations towards the children or to the collective family life. The stories have the form of the sonnet in the sense that while the first part develops the situation, the second part suddenly takes a decisive through expected turn culminating in the passionate, amoral adventure. By this sudden switch over to thesensual romantic theme, the story seem to develop a tendency towards the pornographic. POEMS OF HARPRASAD SHARMA POSTED AND EDITED BY DR. RAM SHARMA IN 2007 DISPLAY OF MANKIND Those days are gone , When love and passion was shown, Now it is display of mankind, Intrigues and conspiracies without mind, Where such kinds of love will be found, He receives his friends in many a way, Where sun can be shown of hope but not a single ray, A figure of clay will a mundane game play, Where such a literary figure will be find, Who will show such kind of display of mankind BUBBLE BY HARPRASAD SHARMA EDITED DR. RAM SHARMA False attachment to worldly things, Nothing but pain and sorrow brings, Cling not to earthly things that seem, to sages like an empty dream, This body which is made of dust, Will one day like a bubble burst A frame which is subject to decay, Why grieve for that in such a way? DR. RAM SHARMA C26, SHRADHAPURI PHASE2, KANKERKHERA, MEERUT, U.P.

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